This page is an accompanying page for the thesis A Data-driven Bayesian Approach to Automatic Rhythm Analysis of Indian art Music by Ajay Srinivasamurthy. Please see http://compmusic.upf.edu/phd-thesis-ajay for more details on the thesis.
The page lists some audio examples of percussion pattern discovery in tabla solo recordings. Click on each example to expand and listen to discovered patterns for each example. All the compositions are taken from Shades of Tabla by Pandit Arvind Mulagonkar, which was also used for experiments in the thesis.
For each composition, the complete audio recording of the composition is shown, along with some pattern examples discovered from the recordings using RLCS_0 algorithm. The numbers in parantheses for each example denotes the time location in the recording where the pattern was discovered.
Audio recording of the whole composition
Pattern DHA-GE-TA-TA Example-1 (9.77-10.41)
Pattern DHA-GE-TA-TA Example-2 (23.95 - 24.93)
Pattern DHA-GE-TA-TA Example-3 (21.63 - 22.63)
Audio recording of the whole composition
Pattern TA-TA-KI-NA Example-1 (7.60 - 7.78)
Pattern TA-TA-KI-TA-TA-KI Example-1 (0.46 - 1.03)
Pattern TA-TA-KI-TA-TA-KI Example-2 (11.21 - 11.74)
Pattern TA-TA-KI-TA-TA-KI Example-3 (16.05 - 16.37)
Pattern TA-KI-TA-TA-KI-TA-TA-KI Example-1 (11.40 - 11.92)
Pattern TA-KI-TA-TA-KI-TA-TA-KI Example-2 (15.32 - 16.37)
Pattern TA-KI-TA-TA-KI-TA-TA-KI Example-3 (0.58 - 1.15)
Audio recording of the whole composition
Pattern TA-TA-KI-NA Example-1 (23.56 - 23.98)
Pattern TA-TA-KI-NA Example-2 (39.45 - 39.67)
Pattern TA-TA-KI-NA Example-3 (49.48 - 49.71)
Pattern TA-TA-KI-TA-TA-KI Example-1 (3.58 - 4.48)
Pattern TA-TA-KI-TA-TA-KI Example-2 (22.33 - 23.02)
Pattern TA-TA-KI-TA-TA-KI Example-3 (31.38 - 32.04)
Pattern TA-KI-TA-TA-KI-TA-TA-KI Example-1 (13.33 - 14.32)
Pattern TA-KI-TA-TA-KI-TA-TA-KI Example-2 (43.87 - 44.38)
Pattern TA-KI-TA-TA-KI-TA-TA-KI Example-3 (3.90 - 5.06)